The Mad Genius of Gena Rowlands in Two Defining Performances
There is something fascinating about watching Rowlands through Cassavetes’s lens, first as the rakish escort Jeannie, and then as middle-aged mother Sarah, both of whom seem to wander like lost souls onto and off the screen, guided by Cassavetes’s uniquely theatrical hand. A viewer might almost imagine the two characters as the same person, separated … Read more